Itmad-ud-Daulah Tomb
Itmad-ud daulah, one of the most beautiful of Mughal
tombs, stands across the river Yamuna from the Taj Mahal, nearly one
and a half kilometers up-stream. Belonging to the age of Jahangir,
it contains cenotaphs of Mirza Ghiyas and Asmat Begum, parents of
the powerful Mughal Empress Nurjahan queen of Jahangir, an
exceptional beauty and an astute administrator. Mirza Ghiyas had
left Persian in sheer penury in search of better prospects at the
Mughal court. He benefited much from the influence of his daughter
who he had once abandoned in the desert. Akbar offered him a good
rank and privileges. Jahangir made him his prime minister with the
title Itmad-ud-daulah (Pillar of the State). Nurjahan's brother Asaf
Khan later became prime minister of Shahjahan. This Persian family
formed at the Mughal court giving the grand Mughals two most
celebrated queens-Nurjahan and Mumtaz Mahal (Lady of the Taj),
daughter of Asaf Khan.
The tomb was built in the famed Char Bagh style that Itmad-ud-Daulah
had himself laid out six years before his death 1622. The monument
is beautifully conceived in the white marble with mosaic and
lattice. The tomb is not a very large structure as Taj Mahal with a
height of only 21 m and a dome-roofed octagonal minaret of 12 m each
at each corner.
More than its style of architecture that is sometimes called as
flawed by the experts,
it is the inlay work or pietra dura on the walls of mausoleum that
makes it extremely attractive. Marble screens of geometric
latticework permit soft lighting of the inner chamber. On the
engraved walls of the chamber is the recurring theme of a wine flask
with snakes as handles. In the flanking chamber are many other tombs
of other family members.
The main chamber is richly decorated with mosaics and semi-precious
stones inlaid in the white marble. According to some historians, the
concept and skills of Pietra dura must have been imported from
European home of 16th century Florence to India. Though there are
some differences like Florentine pietra dura is figurative whereas
Indian version is essentially decorative.