Fatehpur Sikri was build during 1571 and 1585. 37 kms from Agra faithful Sikri is a city predominantly in Red Sandstone and is called Fatehpur Sikri. It was planned as a great town by Akbar with great care and planning in the honor of Sheikh Salim Chisti but had to be abandon only after fifteen years due to scarcity of water in the town.

The town was otiginally named Sikri after the village, where it was founded but its twin city Fatehpur (Victory Town) was erected to celebrate Akbar's conquest of Gujarat in June 1573. The two mosques in the village of Sikri have inscriptions, which announce their conception in 1314 under Mohd. Khilji.

Fatehpur Sikri is one of the finest examples of Mughal architectural splendor at its height. Fatehpur Sikri is the best example of the culmination of Hindu and Muslim architecture.

Though the city is in ruins, it is a place to visit if one comes to Agra. However, in real terms Fatehpur Sikri is a place where one should spend some time. The sunset over the ruins is sight to cherish. After this within 20 years, the capital of Mughals was shift to Lahore.

The journey to the royal palace begins with Diwan-I-Am or the Hall Of Public Audience. This hall was also used for celebrations and public prayers. It has cloisters on three sides of a rectangular courtyard. To the west is a pavilion with the Emperor’s throne. Beautiful jali screen on either sides separated the ladies attending the court.

To the right is an apparently looking two storeyed building, with corner kiosks, known as diwan-khana-I-khaas or Hall Of Private Audience. On entering it, one finds only a single vaulted chamber. In the centre stands a profusely carved column supporting a collosal-bracketed capital. Four narrow causeways project from the centre and run to each corner of the chamber. It is believed that Akbar’s throne occupied the circular space over the capital and the corners were assigned to the four ministers.

To the left of the Pachisi Board is the Turkish Sultana’s house. The house, as its location at the corner of Anup Talao shows, was a pavilion for repose, attached to the pool. The geometrical pattern on the ceiling is reminiscent of Central Asian carvings in wood.

Located in the corner to the left is the emperor’s private chamber. It has two main rooms on the ground floor. One housed Akbar’s library while the larger room was his resting area. On the first floor is the Khwabgah or the bed-chamber. It was connected with the Turkish Sultana’s house, the Panch Mahal, Mariam’s House and the Jodha Bai’s palace by corridors.

To the left of the Sunehra Makan is the largest and the most important building in the royal palace, named after Akbar’s Rajput wife, Jodha Bai. This spacious palace was assured of privacy and security by high walls and a 9 metre guarded gate to the east. The architecture is a blend of styles with Hindu columns and Muslim cupolas.

To the north west of the Jodha Bai’s Palace is the 2 storeyed palace occupied by Akbar’s two senior queens- ruqnayya begum and salima sultan begum. It has two storeys-four rooms and two porches with pyramidical roofs below and two rooms with cupolas and screened terraces above. The building combines hindu and muslim atyles of srchitecture.

To the right of Sunehra Makan is the elegant, airy 5 storeyed pavilion, the Panch Mahal. Each floor over here is smaller than the one below and it rises to a single domed kiosk on top supported by four columns providing a magnificent view of the city and its environs.

One of the largest mosques in India, Jami Masjid was built in 1571 AD. Inside, there is a vast congregational coutyard. To the right, at the corner, is the Jammat Khana Hall and next ot this is the tomb of the royal ladies. To the left of the Jami Masjid is the Stone Cutters’ mosque, the oldest place of worship at Fateh Pur Sikri. It is entered through the eastern entrance known as the Buland Darwaza.

The journey to the royal palace begins with Diwan-I-Am or the Hall Of Public Audience. This hall was also used for celebrations and public prayers. It has cloisters on three sides of a rectangular courtyard. To the west is a pavilion with the Emperor’s throne. Beautiful jali screen on either sides separated the ladies attending the court.